Plank Spanker

Tom. Early days. Before all that jazz nonsense.

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Plank Spanker

Tom. Early days. Before all that jazz nonsense.

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Watercolourism

Jack threw every shape he could remember (he’d a had a pint earlier) but Max remained resolutely unimpressed.

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Watercolourism

Jack threw every shape he could remember (he’d a had a pint earlier) but Max remained resolutely unimpressed.

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Another Direction

  Pen and ink experiment. Not to be used for medical purposes.

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Another Direction

  Pen and ink experiment. Not to be used for medical purposes.

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We Are Women

      We Are Strong.

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We Are Women

      We Are Strong.

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How The Mind Works

  A recent commission for The Folio Society. Front cover, frontispiece and chapter heading illustrations. Steven Pinkers’ musings throwing up ample opportunities for interpretation. Dream gig. Beautifully presented (as in Quality!) More here

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How The Mind Works

  A recent commission for The Folio Society. Front cover, frontispiece and chapter heading illustrations. Steven Pinkers’ musings throwing up ample opportunities for interpretation. Dream gig. Beautifully presented (as in Quality!) More here

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Things

    Typically for posts such as this: http://www.thingsmagazine.net/?p=9596

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Things

    Typically for posts such as this: http://www.thingsmagazine.net/?p=9596

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Facet

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Facet

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The Boston Globe

  From a series of illustrations for the Globe Magazines’ Medical issue. Beth Healy ‘A Cancer Doctors Couldn’t Find’

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The Boston Globe

  From a series of illustrations for the Globe Magazines’ Medical issue. Beth Healy ‘A Cancer Doctors Couldn’t Find’

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Dudley

It’d had some hard times over the years,  Grandpa sat on it on Christmas day ’64 but Dad duly glued and screwed it back into service.  After which it made memorable appearances at grown-up parties where someone would invariably do

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Dudley

It’d had some hard times over the years,  Grandpa sat on it on Christmas day ’64 but Dad duly glued and screwed it back into service.  After which it made memorable appearances at grown-up parties where someone would invariably do

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Half a century

A lot can happen in 52 years. Left image: from the archive. Right image: recent commisson for Stanford

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Half a century

A lot can happen in 52 years. Left image: from the archive. Right image: recent commisson for Stanford

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Scrapbook tango

Unusual suspects await their fate, gazing momentarily from the pages of a seldom opened sketchbook.

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Scrapbook tango

Unusual suspects await their fate, gazing momentarily from the pages of a seldom opened sketchbook.

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New York Times

  A review of ‘The Revenge of the Radioactive Lady’ – Elizabeth Stuckey  for the New York Times Book Review.

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New York Times

  A review of ‘The Revenge of the Radioactive Lady’ – Elizabeth Stuckey  for the New York Times Book Review.

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Google ‘doubles’

  Illustration for the Huffington Post iPad edition. Peter Mandel describes his frustration with other Peter Mandels always being higher than him on Google.

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Google ‘doubles’

  Illustration for the Huffington Post iPad edition. Peter Mandel describes his frustration with other Peter Mandels always being higher than him on Google.

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Gentle on my mind . . .

Altogether everybody, from the last verse – “I dip my cup of soup back from the gurglin’ Cracklin’ caldron in some train yard My beard a-rufflin’cold cowl A dirty hat pulled low across my face Through cupped hands ’round a

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Gentle on my mind . . .

Altogether everybody, from the last verse – “I dip my cup of soup back from the gurglin’ Cracklin’ caldron in some train yard My beard a-rufflin’cold cowl A dirty hat pulled low across my face Through cupped hands ’round a

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Sold

  See a selection of work from the recent show what I done “Up The Wall” , and bring your chequebook.

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Sold

  See a selection of work from the recent show what I done “Up The Wall” , and bring your chequebook.

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A fine line

Steven Wright = genius. From my exhibition “Up the wall” at Whitstables’ Fishslab gallery – 15th to 21st August                      

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A fine line

Steven Wright = genius. From my exhibition “Up the wall” at Whitstables’ Fishslab gallery – 15th to 21st August                      

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