A rare opportunity to play with type.
AD @jessica_landon for ESMagazine
A rare opportunity to play with type.
AD @jessica_landon for ESMagazine
Typographic series. Experiments with ink and text
Front cover for Guardian G2 section: The Punk Rock Internet -
How to like, shop and stay secure without your data being mined
AD: Sarah Habershon
Education Issue AD Greg Klee
Innovation in teaching methods
October 2017
The long-standing collaboration with Poet And Broadcaster Ian McMillan
in the form of M+M continues apace. Wits freshly applied to the non-sequitors of the day.
Important and cryptic ? Certainly.
Worked with AD Christophe Gowans on this feature about autism in the workplace.
A one day deadline where Christophe managed to trick me out of my comfort zone and use a paintbrush.
Exhilarating.
New limited edition A3+ high quality Giclée print available. Signed and numbered. (25)
Please visit the gallery by lightly pressing this rather subtle BUY PRINTS link.
I now have a selection of high quality giclée prints prints to offer. Please visit the gallery by lightly pressing this rather subtle BUY PRINTS link.
Thank You - The Patron.
Technology spot. AD Gary Cochran (Warm Red Remix)
Recent piece for Forbes Japan, Art Director Yusuke Takamura
AD Tyler Stone at Security Management magazine
Opening piece for US title 'Entrepeneur' AD Evelyn Good
For US magazine Security Management
Guardian Review - Darian Leader piece imagining an approaching physical 'convergence' with technology.
Enjoy your lunch. Now available in the store as signed and limited edition Giclée print - see link to store
The global warming debate continues
Jim Duffy's feature for Johns Hopkins Magazine about the digital revolution in medicine.
Spot illustration for Harvard Law Bulletin referencing original piece by Professor Jonathan Zittrain in Scientific American.
The Bodley Head/FT 2014 essay prize …
Financial Times – Life & Arts section
Series of images for ‘Principles of Creativity’ feature. Radcliffe Institute for Advanced Study. Harvard University.
Good to know that Captain Sensible and his crew are still knocking around and even better to be asked to produce the CD sleeve and a series of postcards for their latest release ‘A Postcard from Britain’
Hemispheres Magazines’ Q&A section. Dennis Crowley – the man who brought us ‘Foursquare’ the location-based social networking website.
Tom. Early days. Before all the jazz nonsense.
Jack threw every shape he could remember (he’d a had a pint earlier) but Max remained resolutely unimpressed.
Pen and ink experiment. Not to be used for medical purposes.
A recent commission for The Folio Society. Front cover, frontispiece and chapter heading illustrations. Steven Pinkers’ musings throwing up ample opportunities for interpretation. Dream gig. Beautifully presented – repro, bindings, slipcase – tutto bene.
Typically for posts such as this: http://www.thingsmagazine.net/?p=9596
From a series of illustrations for the Globe Magazines’ Medical issue. Beth Healy ‘A Cancer Doctors Couldn’t Find’
A lot can happen in 52 years. Left image: from the archive. Right image: recent commisson for Stanford
It’d had some hard times over the years, Grandpa sat on it on Christmas day ’64 but Dad duly glued and screwed it back into service. After which it made memorable appearances at grown-up parties where someone would invariably do a Val Doonican impersonation. I eventually rescued it from the cable-knit crew, stuck the Hofner pickup through the Garrard tape deck and joined in with the Sgt. Pepper album, untutored, untuned but well turned on. I still have it. It still sounds like gravel.
Unusual suspects await their fate, gazing momentarily from the pages of a seldom opened sketchbook.
A review of ‘The Revenge of the Radioactive Lady’ – Elizabeth Stuckey for the New York Times Book Review.
Illustration for the Huffington Post iPad edition. Peter Mandel describes his frustration with other Peter Mandels always being higher than him on Google.
Altogether everybody, from the last verse – “I dip my cup of soup back from the gurglin’ Cracklin’ caldron in some train yard My beard a-rufflin’cold cowl A dirty hat pulled low across my face Through cupped hands ’round a
See a selection of work from the recent show what I done “Up The Wall” , and bring your chequebook.
Steven Wright = genius. From my exhibition “Up the wall” at Whitstables’ Fishslab gallery – 15th to 21st August
Close your eyes and think of three – See ? easy.
Picture this, watching over your safety – from your own wall. Limited edition A1 poster. 105gsm printed on Neptune Unique. Delivered rolled in a poster tube available from Heart . . . go on, you know you want to.
Stryker McGuire – didn’t he write that “Cool Britannia” piece back in ’96 ?
Still a few left but running short, grab one at the FUEL shop
1972 was an exceptionally good year musically. How did that happen ?
“Nice portfolio” said the commissioning editor. “Thanks” I replied. “Where did you buy it?”
Illustration for a feature on power from urine. Well somebody had to do it.
Collaboration with SheMakesRemakes the Tea-towel Queen of all Kent
Illustration for music therapy feature
“15 second looping animations produced for Japanese 3G mobile network “D-Move”
2nd collaboration with poet Ian McMillan, an interpretation of the Beaufort Windscale. The film was originally broadcast on Channel4 as part of the Animate! series and was nominated for a British Animation Award. Funding from Channel Four and Arts Council
Commissioned by Adobe Systems to mark the new millenium. Opted for the “Who Are We and Where Are We Going?” approach. 2000
Inspired by Mercury Revs’ Ghost Track. Where there’s noise, there’s image, Where there’s silence, there ain’t. 1999
1st collaboration with poet Ian McMillan.
Self produced. Worldwide screenings as part of onedotzero festival.
2002
“15 second looping animations produced for Japanese 3G mobile network “D-Move”
Alleged quote from the man himself.
Clegg, Cameron and Brown’s televised election debate
Experiment with cassette tape
The Art Director is King. Image for the public space exhibition curated by Adrian Shaughnessy. Posters appearing around Chaumont during the festival.
Evidence of some great nights out
Donated by Darrel Rees (Agent Rees) customised by . me
Bought this around 1978 off an ecentric gentleman who used to walk up and down London’s Oxford Street with a huge sandwich board
My father’s old copy. Recently featured in Eye Magazine’s Type Tuesday blog
Graphic Design on The Radio – Adrian Shaughnessys’ ResonanceFM show – Listen to my selections here (if and when they ever get the link back up and running) or here on Spotify Graphic Design on The Radio
‘Speriment with ink and paper. Then a scanner.
“15 second looping animations produced for Japanese 3G mobile network “D-Move”
“15 second looping animations produced for Japanese 3G mobile network “D-Move”
“15 second looping animations produced for Japanese 3G mobile network “D-Move”
“15 second looping animations produced for Japanese 3G mobile network “D-Move”
“15 second looping animations produced for Japanese 3G mobile network “D-Move”
“15 second looping animations produced for Japanese 3G mobile network “D-Move”